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And for a director who got the job only three months ago, Dimitrakopoulos pulled it together.

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In a detailed examination of the development of Spoerris work from his debut in 1960 to the latest creations from 2006, the show documents his various stages and principal themes: the snare pictures; the Eat Art works, the results of performances in Restaurant and banquets; the disillusion and the multiplication of vision; magic, mystery and death; the private room; anthropology, anatomy and genetics; the worktops and the minced bodies; the flea market; the more recent fetiches.

The exhibition concludes with a room dedicated to artists of the Giardino di Daniel Spoerri (Eva Aeppli, Roland Topor etc). An email has been sent to the email address you entered. Please click on this link to confirm your subscription.

Daniel Spoerri is considered one of the main protagonists of the international art scene (Nouveau Réalisme, Eat Art, Fluxus movement).

The show, contains 150 works from important European museums, from galleries and private collections.

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The exhibition is accompanied by an exhaustive catalogue edited by Marco Bazzini and Stefano Pezzato with essays by the curators, an ample anthology of texts by the artist translated into Italian for the first time, up to date critical notes, reproductions of all the works in the show and archive images.

Anthological exhibition promoted by the Regione Toscana TRA ART regional network for contemporary art in collaboration with the Foundation Il Giardino di Daniel Spoerri.

Art Athina, abandoned and renewed any number of times is looking for a new life with the recent appointment of curator Stamatia Dimitrakopoulos as director.

(One former director was arrested in 2007 for obscenity and insulting the Greek nation, because of an Eva Stefani video mixing porn and the Greek anthem, uneventfully on view this edition.) The Tae Kwon Do Stadium (“the Jewel of the Olympics” I’m told), which hosted this year’s fair, still sports peeling stickers from the 2004 Olympics and wear from its second lives holding rallies for left-wing political party Syriza and as an interim home for Syrian refugees.

The stadium seats folded in towering forty-foot walls above the parceled-out white booths containing, on the main floor and upstairs around the rim of the stadium, a relatively modest sixty-eight exhibitors, mostly Greek with a remarkably strong contingent from Los Angeles.

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